Paul Gustavson

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Paul Gustavson

Real Name
Karl Paul Gustafson
Gender

Date of Birth
August 16, 1916

Date of Death
April 29, 1977

Place of Birth
Åland, Finland

Place of Death
New York, USA


First publication

Unknown





Personal History

Paul Gustavson (née Karl Paul Gustafson August 16, 1916 – April 29, 1977) was an American-immigrant comic-book writer and artist. His most notable creations during the Golden Age of Comic Books were The Human Bomb for Quality Comics, and the Angel, who debuted in Marvel Comics #1 (Oct. 1939), the first publication of Marvel Comics forerunner Timely Comics. The Angel would star in more than 100 stories in the 1940s. The Human Bomb would later be acquired by DC Comics and make sporadic appearances as late as 2005.

Early life and career

Centaur Publications' Amazing Man Comics #22 (May 1941), cover art by Paul Gustavson

Gustavson was born in Åland, Finland. Emigrating to the U.S. with his family at age five, Gustavson (who modified his name when he entered comics) graduated from Quentin High School in New York City, and studied civil engineering at Manhattan's Cooper Union. Seguing to art at about age 17, he spent two to three years apprenticing under cartoonist Frank Owen, the husband of one of Gustavson's childhood friends in Finland. Gustavson assisted on Owen's Collier's Magazine humor spot, "Filbert".

Gustavson began working in the studio of the quirkily named Harry "A" Chesler, a "packager" of comic books for publishers testing the waters of the emerging medium. "I started at $12 a week", he told historian Jim Steranko, who interviewed him in the early 1970s. "It wasn't much but in those days it was enough for me. I stayed with Chesler for about two years and, during that time, worked with people like Jack Cole, Mort Meskin, Gill Fox, Fred Guardineer, Charlie Biro, and Bob Wood"1.

Creating characters

After getting married and beginning a family, Gustavson began working for another comics packager, Funnies, Inc., which supplied publisher Martin Goodman with the contents of Marvel Comics #1. The packager also supplied Centaur Publications, for which Gustavson created A-Man, the The Arrow, Fantom of the Fair, and Man of War. Other notable work includes humor features in five early issues of DC's Action Comics, starting with issue #5 (Oct. 1938), and the two-page humor piece "Major Bigsbee an' Botts" in the oft-reprinted Batman #1 (Spring 1940).

He later joined Quality Comics, one of DC's predecessors, where publisher "Busy" Arnold offered $25 a page. There Gustavson created the Human Bomb (premiering in Police Comics #1, Aug. 1941), aigning the earliest episodes with the pseudonym 'Paul Carroll. He wrote and drew the feature through September 1946. Gustavson also wrote/drew characters including Magno (premiering in Smash Comics #13, 1940); the Spider (premiering in Crack Comics #1, 1940); the Jester (in Smash Comics); and Rusty Ryan (in Feature Comics), whose uniform strongly evoked that of Captain America.

Gustavson, whose delicate, fine-line art resembles that of fellow Golden Age cartoonist Lou Fine, also worked on Blackhawk, Kid Eternity, Uncle Sam and other characters.

From 1942 to 1945, Gustavson did his World War II military service in the Air Tech Training Command, concurrently studying aerodynamics at Rutgers University. He returned to work for Quality afterward, and in early 1950s for the American Comics Group (AGC), doing humor features. Later that decade, he left the field to become a surveyor and civil engineer for New York State.

His brother Nils collaborated with him on Centaur's Man of War.

He died in upstate New York.


Professional History

Professional History of Paul Gustavson is unknown.


Notes

  • No special notes.


Trivia

  • No trivia.



See Also

Work History


Official Website

  • None.


Links and References

Footnotes

  • ^1 The Steranko History of Comics 2 by Jim Steranko (Supergraphics, 1972), p. 99

References

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